Posts tagged ‘Clark Gable’
Strictly entre nous: I’m not a fan of MacDonald. I am a fan of opera, thank you very much indeed (I begged–and won–for my parents to take me to see Le Nozze di Figaro
at the LA Opera at age 16) but I’d much rather listen to Irene Dunne’s falsetto’s than the fluttery MacDonald’s. (MacDonald’s voice is superior, but Dunne’s has personality.) MacDonald, however, is the leading lady in the 1936 melodrama San Francisco, alongside Clark Gable and Spencer Tracy (big fans of both, for the record), and she delivers a solid performance. But that is not the point of this post. The point here is that San Francisco features a very famous disaster sequence that I have long admired, and have decided take a closer look at it here. Read more ►
Another public apology, this time to the marvelous Shadowplay blog– a longtime Pictorial favorite. I agreed to participate in their recent The Late Films Blogathon: a week long look at the final films of directors, actors and writers. A fascinating concept and I was psyched to participate and… absolutely bollocked it up. More than a week overdue, here’s my entry. Major apologies to Shadowplay– one of the best damn blogs on the web.
By 1961, the Hollywood Studio System had begun a slow rot from the inside out which would, by decade’s end, see to its total collapse thus ending the Golden Age of classical Hollywood. The Misfits, directed by John Huston and penned by Arthur Miller, is a fascinating relic from those years in flux that bewildered its audiences just as much as it bewildered the execs. On paper, the words Clark Gable (the king), Marilyn Monroe (the queen) and Montgomery Clift (the rebel) looked like box office magic. The result is a mixed bag that would be Gable and Monroe’s final film, and one of Clift’s last. Read more ►
The Jean Harlow Blogathon Day One!
Today The Jean Harlow Blogathon kicks off and we are off to a roaring start! Thoughtful, imaginative and introspective—everyone is really putting out some beautiful work which just amps up the excitement of what’s in store for the rest of the week.
Carole & Company:
Vincent from Carole & Co., who has been a major supporter of this Blogathon, has created an alternate universe in which real-life friends Jean Harlow and Carole Lombard have swapped careers. “Let’s Switch” is a winsome short story that asks us to tap into our imagination and wonder how might they have fared in the other’s films:
Harlow, Lombard: Let’s switch!
For the centenary of Jean Harlow’s birth, I tried to find a way to commemorate it – especially since this will be part of a Harlow blogathon at “The Kitty Packard Pictorial,” a superb site on Harlow, classic Hollywood and popular culture (http://kittypackard.wordpress.com/).
An entry linking Carole Lombard and Harlow isn’t easy. Although they were good friends and were beloved by casts and crews throughout filmland, no picture of them together has ever been discovered – a holy grail among both fandoms. Carole’s first husband, William Powell, later had an intense, but ill-fated, romance with Harlow, and Lombard’s second husband, Clark Gable, was renowned for his steamy romantic films with Jean (although in real life, they were good friends, never lovers).
So, what’s a writer to do? Use imagination, that’s what. I’m going to create an alternate universe where Lombard stars in Harlow’s movies, and vice versa. How might these silver screen goddesses have fared in each other’s films?
Kevin Scrantz runs a fascinating blog called Clarosureaux and specializes in colorizing and restoring vintage photography. He’s also a Jean Harlow enthusiast as you will find in his post Harlow Centenary:
March 3 will mark Jean Harlow’s 100th birthday, so pretty much my entire blog will be devoted to her for the next couple of weeks
As part of the celebration of her hundredth year, the Max Factor Museum in Hollywood will be hosting a new Harlow exhibit that contains such cool items as her Packard and a mural that once hung in Paul Bern‘s Benedict Canyon home depicting Harlow, Joan Crawford, and a host of other MGM stars as medieval courtiers.
Eve’s Reel Life
Oh that Lady Eve Sidwich! Her Eve’s Reel Life blog is a real treasure trove : an intelligent blend of thoughtful prose and painstaking research and she has really outdone herself with “Platinum Blonde and Beyond“. Here she takes a look at one of Harlow’s early features, Platinum Blonde, and within the contextual framework of Harlow’s early career she does a marvelous job of pinpointing what makes Platinum Blonde pivotal:
It was her trademark, her calling card and, in 1931, the name of a film in which she received third billing. Platinum Blonde had originally been intended as a vehicle for top-billed star Loretta Young but, by the time it was released, the film’s title had changed and changed again until it was an outright reference to pale-haired co-star Jean Harlow. It was not Harlow’s breakout picture, that had come with Hell’s Angels (1930), nor is it generally cited as one of her great classics, but Platinum Blonde was pivotal – it proclaimed her stardom.
In 1931, the 20-year-old starlet was still under an oppressive five-year contract with Howard Hughes, producer/director of Hell’s Angels. She had proven her appeal in the film, but Hughes had no projects in the works for her and most Hollywood insiders believed he was mismanaging her career. Harlow’s then-friend/future husband Paul Bern arranged for her loan to MGM for The Secret Six (1931) an underworld drama with Wallace Beery and not-yet-famous Clark Gable.
Immediately after, she was loaned out to Universal for an unsympathetic role in The Iron Man (1931), a boxing drama with Lew Ayres. While still on that project, she went back to MGM for retakes on The Secret Six and began work on her next film, this time on loan to Warner Brothers for the gangster classic The Public Enemy (1931), with James Cagney. Her fourth film in five months was for Fox, Goldie (1931), a comedy with Spencer Tracy. Of these films only The Public Enemy was an unqualified hit, and it was a blockbuster, but it was Cagney who became the overnight star…Harlow’s allure was noted, but her performance was widely panned.
The Hollywood Revue:
Angela with The Hollywood Revue is a super swell dame and, in honor of Jean’s centenary, she has published a great review of one of Jean Harlow’s best films, Wife vs. Secretary. It’s also in conjunction with the 75th anniversary of the film’s release back on Febraury 28 1936:
Van Stanhope (Clark Gable) seems to have it all: he’s a very successful magazine publisher, he’s been very happily married to Linda (Myrna Loy) for three years, and he’s got Whitey (Jean Harlow), the best secretary he could ever want. Most wives would be worried about their husbands having secretaries, who look like Whitey, but Linda trusts Van completely and she has every reason to. At least she trusts him until all the suggestions from friends and family that Whitey must be one of those secretaries finally start to get to her. But Linda isn’t the only one jealous of Van and Whitey’s working relationship. Whitey’s boyfriend Dave (James Stewart) wants to marry her, but she loves her job and doesn’t want to quit to stay at home.
When Van decides to take on a new business venture, he has to keep it top secret from everyone, including Linda. Whitey is the only person who knows what’s going on. So when he says he’s been at a club all afternoon one day, Linda does a little investigating and finds out he wasn’t at the club all day, he was with Whitey. Linda begins to fear that all those insinuations were right after all, she has no idea that he and Whitey were working together on the new business deal. Things get even worse when at a company skating party, Linda thinks Van and Whitey look like a little too friendly and she asks Van to transfer Whitey to a new job. Van refuses and Linda eventually decides she’s being ridiculous and Van promises to take her on vacation soon to make it up to her.
The Platinum Page:
Ah, the lovely Lisa Burks. If you’re a fan of Harlow’s you almost certainly have spent many an hour at her Platinum Page. It was the first such one on the Internet dedicated to Harlow and is still the place to go for anything and everything related to her. It is hardly surprising, then, that in her post Harlow 100 Week she has proposed a truly beautiful gesture in Jean’s honor:
This weekend I had my thinking cap on to come up with some article ideas, when my friend and fellow Harlow fan Reg Williams pinged me about his efforts to encourage fans to fill Jean’s room in the Great Mausoleum at Forest Lawn Glendale with flowers.
If you’d like to participate, contact The Flower Shop at Forest Lawn to place your order. Please note, Forest Lawn’s $3 placement fee will apply. The delivery location is Great Mausoleum, Sanctuary of Benediction, Private Family Mausoleum Room #34, Crypt B.
How will we know if the goal is met? Being a private room, special permission is needed to visit in person. The Platinum Page is on the case and will be working our contacts to bring you officially sanctioned updates, so stay tuned!
Keep the links coming, everyone!
Join in the celebration and email The Pictorial!